Gone Girl by Gillian* Flynn is one of the New York Times Bestsellers that I sometimes read in order to connect with the average reader to see what the hullabaloo is all about. I’ve done this with The Girl with the Dragon Tattoo and The Time Traveler’s Wife, and even that Dan Brown monstrosity The Da Vinci Code and rarely am I left impressed.
This time was no exception either.
TL;DR version: interesting writing style and formatting that is squandered by unsympathetic characters and a drawn-out plot.
Story is simple: guy (Nick) meets girl (Amy). They get married. On their fifth wedding anniversary Amy goes missing and there’s talk about murder. Nick is the suspect because, duh, he’s the husband and the story unravels, revealing both Nick’s and Amy’s sides of the story chapter by chapter until the truth sets no one free.
I will say I was impressed by the format of the story — Nick’s events traveled further past the days Amy is “gone” and Amy’s are moving closer to her disappearance until they meet at the end of part one — because it allows for your sympathies as a reader to shift from one to the other as more and more information is revealed. First you side with Amy as she relates how her and Nick fell in love so many years ago. Then, to Nick as Amy’s strange and obsessive behavior is slowly revealed. Then again, back to Amy as more information about just what Nick has been up to stomps around the stage.
It’s not really a mystery, but there is some suspense around whodunit and if there even really was a crime. But that suspense slowly peters out and there isn’t much tension left behind after the big reveal, which is about two-thirds the way through the novel. After that, it’s just a boring third act that has to tie everything together before a flat ending.
I also found it difficult to connect to either Nick or Amy. Both are incredibly well fleshed out and Flynn has the amazing ability to write multiple points of view. Nick’s voice is drastically different from Amy, who has several voices of her own, so that I didn’t even need to see a title telling me who was narrating, the voices were so strong. But this doesn’t make up for the fact that they’re both despicable in their own ways and have little to no redeeming qualities.
Everyone loves a good villain. No one loves whinny, weak, and self-pitying fools who both get what they deserve in the end, which is neither satisfying nor cohesive. I was left with a bad taste in my mouth after finishing this novel — which took me six months because I kept reading other things at the same time.
Three stars out of five. The writing style is brilliant and refreshing; Flynn’s observations through the characters of Nick and Amy are amazing (ha!), but the plot and the ending were too flat and bogged everything down.
*My fiance and his twin think it’s hilarious that Mulder and Scully’s names can be reversed so they’re Sculder and Mully. Now I’m left not being able to remember which ones are the right ones.